Misterman

"Nate Edmondson’s sound design is pivotal to the focus on the auditory that pervades the play. Thomas is quite literally hounded and haunted by sounds and voices, and due to Edmondson’s work, the audience is too. The machines are like ghosts, unholy ones at that, at times turning on automatically, repeating the recorded past, taunting Thomas’ present. Chilling, thrilling, compelling theatre."

Australian Stage

"This production is perfect in almost every regard. All the elements combine in the tiny theatre to create something unexpectedly moving and overwhelming, including Nate Edmondson’s creeping sound design, which pours out of speakers all throughout the theatre. Spectacular."

Daily Review