Awards  •  Accolades

[Click on production name to jump to reviews.]

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2019:

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Helpmann Awards, 2019:

Best Sound Design   •   The Harp In The South (Parts One & Two)   •   Nominated

Best Production Of A Play   •   The Harp In The South (Parts One & Two)   •   Nominated

Best Production Of A Play   •   Blackie Blackie Brown   •   Nominated

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Alternative Helpmann Awards, 2019 (Time Out - Sydney):

Best Epic Longform Performance (Mainstage)   •   The Harp In The South (Parts One & Two)

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2018:

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Sydney Theatre Awards, 2018:

Best Sound Design (Mainstage)   •   The Harp In The South (Parts One & Two)   •   Nominated

Best Mainstage Production   •   The Harp In The South (Parts One & Two)   •   WINNER

Best Mainstage Production   •   Blackie Blackie Brown   •   Nominated

Best Score / Sound Design (Independent)   •   The Flick   •   Nominated

Best Independent Production   •   The Flick   •   Nominated

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The Green Room Awards, 2018:

Best Music Composition & Sound Design (Theatre Companies)   •   Blackie Blackie Brown   •   Nominated

Best Production (Theatre Companies)   •   Blackie Blackie Brown   •   Nominated

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The Glug Awards, 2018:

Most Outstanding Mainstage Production   •   The Harp In The South (Parts One & Two)   •   WINNER

Most Outstanding Mainstage Production   •   Torch Song Trilogy   •   Nominated

Most Outstanding New Australian Work   •   The Harp In The South (Parts One & Two)   •   WINNER

Most Outstanding New Australian Work   •   Evie May - A Tivoli Story   •   Nominated

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Broadway World - Sydney Awards, 2018:

Best Sound Design - Play   •   The Harp In The South (Parts One & Two)   •   WINNER

Best Play   •   The Harp In The South (Parts One & Two)   •   Nominated

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FBi SMAC Awards, 2018:

Best On Stage   •   The Harp In The South (Parts One & Two)   •   Nominated

Best On Stage   •   Blackie Blackie Brown   •   Nominated

 

Best Of 2018 (Suzy Goes See):

Outstanding Design   •   Blackie Blackie Brown

Top 10 Shows Of The Year   •   The Flick

 

Best Of 2018 (Time Out - Sydney):

Top 10 Productions Of The Year   •   The Harp In The South (Parts One & Two)

Top 10 Productions Of The Year   •   Blackie Blackie Brown

Honourable Mention   •   Good Cook. Friendly. Clean.

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Best Of 2018 (Time Out - Melbourne):

Top 10 Productions Of The Year   •   Blackie Blackie Brown

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Best Of 2018 (Limelight Magazine):

Best Productions Of The Year   •   The Flick

Best Productions Of The Year   •   The Harp In The South (Parts One & Two)

Best Productions Of The Year   •   Blackie Blackie Brown

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Best Of 2018 (Audrey Journal):

Best Productions Of The Year   •   The Flick

Best Productions Of The Year   •   The Harp In The South (Parts One & Two)

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Best Of 2018 (Daily Review):

Top 10 Productions Of The Year   •   The Harp In The South (Parts One & Two)

Top 10 Productions Of The Year   •   The Flick

Honourable Mention   •   Blackie Blackie Brown

Honourable Mention   •   The Rolling Stone

Honourable Mention   •   Torch Song Trilogy

 

Best Of 2018 (Kevin Jackson's Theatre Diary):

Best New Australian Works   •   The Harp In The South (Parts One & Two)

Top Shows Of The Year   •   The Flick

Top Shows Of The Year   •   The Rolling Stone

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Best Of 2018 (Keith Gow):

Top 10 Productions Of The Year   •   Blackie Blackie Brown

Top 20 Productions Of The Year   •   The Harp In The South (Parts One & Two)

Top Shows Of The Year   •   The Rolling Stone

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Best Of 2018 (Sometimes Melbourne):

Outstanding Design   •   Blackie Blackie Brown

Top Shows Of The Year   •   Blackie Blackie Brown

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2017:

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Sydney Theatre Awards, 2017:

Best Sound Design (Mainstage)   •   Cloud Nine   •   Nominated

Best Mainstage Production   •   Cloud Nine   •   Nominated

Best Score / Sound Design (Independent)   •   The Trouble With Harry   •   Nominated

Best Score / Sound Design (Independent)   •   Jatinga   •   Nominated

Best Score / Sound Design (Independent)   •   The Ham Funeral   •   Nominated

Best Independent Production   •   The Ham Funeral   •   Nominated

Best Independent Production   •   The Trouble With Harry   •   Nominated

 

The Infallibles Awards, 2017 [UK]:

Best Fringe Production   •   Good With Maps   •   Nominated

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The Glug Awards, 2017:

Most Outstanding New Australian Work   •   Mark Colvin's Kidney   •   Nominated

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Time Out Kids Awards, 2017 [International]:

Best International Performance   •   The Very Hungry Caterpillar Show [UAE]   •   WINNER

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Broadway World - Sydney Awards, 2017:

Best Sound Design - Play   •   Slut   •   Nominated

Best Sound Design - Play   •   Marat/Sade   •   Nominated

Best Play   •   Cloud Nine   •   Nominated

Best Play   •   Marat/Sade   •   Nominated

Best Play   •   Slut   •   Nominated

Best Play   •   The Village Bike   •   Nominated

 

Best Of 2017 (Suzy Goes See):

Outstanding Design   •   Bengal Tiger At The Baghdad Zoo

Top 10 Shows Of The Year   •   The Ham Funeral

Top 10 Shows Of The Year   •   Cloud Nine

 

Best Of 2017 (Time Out - Sydney):

Top 10 Productions Of The Year   •   Cloud Nine

Honourable Mention   •   The Ham Funeral

Honourable Mention   •   Jatinga

Honourable Mention   •   Slut

 

Best Of 2017 (The Music - Melbourne):

Best Productions Of The Year   •   I Am My Own Wife

 

Best Of 2017 (Audrey Journal):

Best Productions Of The Year   •   Jatinga

Best Productions Of The Year   •   The Village Bike

Best Productions Of The Year   •   The Trouble With Harry

Best Productions Of The Year   •   Cloud Nine

 

Best Of 2017 (Kevin Jackson's Theatre Diary):

Best New Australian Works   •   Jatinga

Top Shows Of The Year   •   Bengal Tiger At The Baghdad Zoo

Top Shows Of The Year   •   Jatinga

Top Shows Of The Year   •   The Village Bike

Top Shows Of The Year   •   Cloud Nine

Best Sound Design   •   "Multiple and intricate sound designs from Nate Edmondson - is there a busier artist?"

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Best Of 2017 (Keith Gow):

Top 10 Productions Of The Year   •   Chimerica

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2016:

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Sydney Theatre Awards, 2016:

Best Score / Sound Design (Mainstage)   •   Savages   •   Nominated

Best Score / Sound Design (Independent)   •   Good With Maps   •   WINNER

 

Off-Broadway Alliance Awards, 2016 [US]:

Best Family Show   •   The Very Hungry Caterpillar Show   •   Nominated

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The 61st Annual Drama Desk Awards, 2016 [US]:

Unique Theatrical Experience   •   The Very Hungry Caterpillar Show   •   Nominated

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Broadway World - Sydney Awards, 2016:

Best Sound Design - Play   •   Leaves   •   WINNER

Best Play   •   A Midsummer Night's Dream   •   WINNER

Best Play   •   Leaves   •   Nominated

 

Best Of 2016 (New York Theatre Guide) [US]:

Top 10 Productions Of The Year   •   The Very Hungry Caterpillar Show

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Best Of 2016 (Suzy Goes See):

Outstanding Design   •   A Midsummer Night's Dream

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Best Of 2016 (Kevin Jackson's Theatre Diary):

Best New Australian Work   •   Savages

 

Best Of 2015 / 2016 (The Buzz From Sydney):

Best Sound Design   •   Savages

Best Play - Runner Up   •   Savages

 

Best Of 2016 (Daily Review):

Top 11 Productions Of The Year   •   Slut

Honourable Mention   •   Savages

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2015:

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Sydney Theatre Awards, 2015:

Best Score / Sound Design (Independent)   •   Misterman   •   WINNER

Best Score / Sound Design (Independent)   •   Of Mice And Men   •   Nominated

Best Independent Production   •   Of Mice And Men   •   WINNER

Best Independent Production   •   Misterman   •   Nominated

Best Production For Young People   •   Shellshock   •   Nominated

Best Australian New Work   •   Mortido   •   Nominated

Best Australian New Work   •   Kill The Messenger   •   Nominated

 

The Glug Awards, 2015:

Most Outstanding Production (Independent)   •   Of Mice And Men   •   Nominated

Most Outstanding Production For Children   •   Shellshock   •   Nominated

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Best Of 2015 (The Canberra Times):

Top Shows Of The Year   •   Of Mice And Men

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Best Of 2015 (Suzy Goes See):

Outstanding Design   •   Freak Winds

Outstanding Design   •   When The Rain Stops Falling

Top 10 Shows Of The Year   •   When The Rain Stops Falling

Suzy's Special Soft Spot   •   Nate Edmondson, Sound Designer; "From the intimacy of the Old Fitz to the bigger auditoriums of Belvoir and the Opera House, his contribution to sound design in 2015 was simply outstanding."

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Best Of 2015 (Daily Review):

Top 12 Productions Of The Year   •   Misterman

Honourable Mention   •   Kill The Messenger

Honourable Mention   •   I Am My Own Wife

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Best Of 2015 (Kevin Jackson's Theatre Diary):

Best New Australian Works   •   Mortido

Top Shows Of The Year   •   Of Mice And Men

Top Shows Of The Year   •   Misterman

Best Sound Design   •   Of Mice And Men

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Best Of 2014 / 2015 (The Buzz From Sydney):

Best Sound Design / Music   •   Seventeen

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Best Of 2015 (Jo Litson):

Top Theatre Shows Of The Year   •   Of Mice And Men

Top Theatre Shows Of The Year   •   Misterman

Top Theatre Shows Of The Year   •   The Tempest

Top Theatre Shows Of The Year   •   I Am My Own Wife

Top Dance Shows Of The Year   •   Departures

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Best Of 2015 (Deborah Jones):

Top Shows Of The Year   •   Of Mice And Men

Top Shows Of The Year   •   Misterman

Top Shows Of The Year   •   I Am My Own Wife

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2014:

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The Phoebe Rees Competition - The Somerset Fellowship Of Drama 2014 / 2015 [UK]:

The Brian Dyer Sound Trophy For Best Score / Sound Design   •   All My Sons   •   WINNER

Best Sound Effects   •   All My Sons   •   Nominated

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Helpmann Awards, 2014:

Best Play   •   Angels In America (Parts One & Two)   •   WINNER

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The Glug Awards, 2014:

Most Outstanding Production (Independent)   •   All My Sons   •   WINNER

Most Outstanding New Australian Performed Work   •   Jump For Jordan   •   Nominated

Most Outstanding Production For Children   •   The Witches   •   Nominated

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Best Of 2014 (Suzy Goes See):

Top 10 Shows Of The Year   •   Scenes From An Execution

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Best Of 2014 (Kevin Jackson's Theatre Diary):

Best Australian Work   •   Jump For Jordan

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Best Of 2014 (Keith Gow):

Memorable Shows   •   The Witches

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2013:

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Sydney Theatre Awards, 2013:

Best Score / Sound Design (Mainstage)   •   The Floating World   •   Nominated

Best Mainstage Production   •   The Floating World   •   Nominated

Best Mainstage Production   •   Angels In America (Parts One & Two)   •   Nominated

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Australia Council Grants, 2013:

ArtStart Grant (Individual)   •   Nate Edmondson   •   WINNER

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Best Of 2013 (Time Out - Melbourne):

Top Shows Of The Year   •   Psycho Beach Party

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Best Of 2013 (Suzy Goes See):

Show Of The Year   •   All My Sons

Bravest / Most Experimental Work Of The Year   •   The Light Box

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Best Of 2013 (Kevin Jackson's Theatre Diary):

Best New Australian Works   •   Lenny Bruce: 13 Daze Un-Dug In Sydney

Best Of Mainstage Theatre   •   Angels In America (Parts One & Two)

Best Of Independent Theatre   •   Torch Song Trilogy

Best Of Independent Theatre   •   All My Sons

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Best Of 2013 (Shit On Your Play):

Top Shows Of The Year   •   Romeo And Juliet

Top Shows Of The Year   •   Angels In America (Parts One & Two)

Top Shows Of The Year   •   The Floating World

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Best Of 2018 (Keith Gow):

Top 10 Productions Of The Year   •   Angels In America (Parts One & Two)

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2012:

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Sydney Theatre Awards, 2012:

Best Score / Sound Design (Mainstage)   •   Never Did Me Any Harm   •   Nominated

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The Glug Awards, 2012:

Most Outstanding Production   •   The Seafarer   •   WINNER

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Best Of 2012 (Time Out - Sydney):

Top Shows Of The Year   •   Psycho Beach Party

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Best Of 2012 (Kevin Jackson's Theatre Diary):

Outstanding Production   •   Psycho Beach Party

Outstanding Production   •   The Seafarer

Outstanding Sound Design   •   Nate Edmondson; "…for so many productions this year but, for me, The Hiding Place, The Seafarer and The Highway Crossing, especially. Prolific and amazingly detailed, both as a composer and sound designer."

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Best Of 2012 (Shit On Your Play):

Honourable Mention   •   The Seafarer

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2011:

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Best Of 2011 (Kevin Jackson's Theatre Diary):

Top Shows Of The Year   •   Pictures Of Bright Lights

Top Shows Of The Year   •   This Year's Ashes

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